To distinguish these borderline plays, the "(Hōshō)" indicate that the play was once in the Include the play in their current performance repertoire. Parenthetical notations like The primary source forĪttributions is a guide to noh plays compiled by Nishino Haruo (NishinoĪlso indicate which of the five "schools" ( ryūgi) You will find the name of the presumed author. Under (S), some related secondary literature inĮnglish has been listed. After clicking links, you may have to change the browser encoding Reference-not least in giving quick access to informationĮtc. On a 1928 edition, these are handy for searches and
#TXT CROWN LYRICS TRANSLATED IN ENGLISH FULL#
(J), citations of print editions are being added slowly, but mostĮntries now have a link to a full Japanese electronic Secondary literature, that information is also given. If a title has been translated, either by translator or in German, and other European languages are prefaced by the Euro sign Translations listed in order of publication. Given for many titles, including romanization without accents.
Searches, or hunting for words within it, several options have been Give you a better chance of reaching this page through internet Titles of currently performed plays are given in bold. Japanese Status of plays in the repertory of schools).Įntry begins with a title in romanization and in Japanese characters. Noh translations, but now encompasses other matters (e-texts, authorship, Database for other premodern Japanese texts and their translations. See also genpei-noh for detailed information about canonical and non-canonical plays related to the Genpei wars. Nós retornamos às fontes de águaTogether with some plays that are no longer performed ( bangai yōkyoku), Jerusalém que é de ouro, que é de bronze e é de luz, todas as músicas que emites amor produz. é carregado pelo vento com som de sino atrás. The trees and stones there softly slumber, Viene suonato durante la festività del capo Portuguese translation by Cris Senna of Rio De Janeiro, Brazil.įor all other CDs, DVDs, Books, Gifts and products click on the Jewish Australia Online ShopĬontact the publisher of Hebrew ĭall'autrice subito dopo la guerra stessa Singable English translation by Chaya Galai of Israel. Singable Italian translation by Daniel Shalev of Rishon Le Zion, Israel. Words transliterated and translated by Aura Levin Lipski of Melbourne, Victoria, Australia. Naomi Shemer Sings Naomi Shemer (2004) Track 12Ĭlick on "see the teaching" (English or Hebrew)
Listen to the original version by Shuly Natan MFA website includes Chaya Galai's singable English translation. Later in 1967 the Israeli Knesset introduced a bill to make Yerushalayim Shel Zahav the official national anthem of Israel, instead of Hatikvah. The song was popularly sung by Shuli Natan and was once considered by the Knesset as a possible replacement to Hatikva, Israel's national anthem. Shemer said she had thought of the 2,000 years the Jews were absent from Israel, and not the 19 years since the declaration of Israeli independence. When the old city was liberated, shofars indeed blew from Temple Mount, which is part of what inspired Shemer to write the line about shofars sounding from the mountain top. At that time of Jerusalem's liberation, Shemer wrote the final verse. Under the period of Jordanian rule, Jews had been barred from entering Jerusalem, and many holy sites had been desecrated, trashed with toilets, or used as animal pens. Only 3 weeks later, the Israel Defense Forces captured the eastern part of Jerusalem and the Old City from the Jordanians. The first three verses of this song were written by Naomi Shemer and sung by Shuli Natan at the Israeli Music Festival on May 15, 1967, shortly before the Six Day War. Shemer had this in mind when she wrote the song. Interestingly, "Jerusalem of Gold" was also a special piece of jewelery mentioned in a famous legend about Rabbi Akiva. Hedva, David & Larry Adler (The Adler Trio),Īrik Einstein, Ge'ula Gil, Hagiv'atron, Haparvarim, Zohar Argov, Chava Alberstein, Izhar Cohen, Mak'helat Tzadikov, Ninet Tayeb, Ninet Tayeb & Ran Danker, Nira Gal, Ronit Ophir, Rika Zara'i, Ran Eliran, Shalva Berti, Sarit Haddad, Theodore Bikel & many others. Please note in the DANCE version the first and third verses are sung. Singable Italian Singable English Portuguese We will once again descend to the Dead Sea of all the poets born).Ī ram's horn calls out on the Temple Mount the least worthy of doing so)Īnd of the last poet (i.e. I am the smallest of the youngest of your children (i.e.
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